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Art lovers may revisit and reconsider the masterpieces throughout their lives, but a deeper understanding can only be gained by analysing the painting in detail, be it the placement of the subject, the lighting, the style of brushstrokes or the themes.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eArt in Detail\u003c\/em\u003e examines 100 iconic paintings from the Western canon and spotlights the finer points a quick glance will almost certainly fail to reveal. These include subtle internal details, such as hidden symbols and artistic tricks employed by the painter to achieve particular effects. In addition, Susie Hodge writes intelligently about external influences on the artist – everything from the socioeconomic context in which he or she flourished, to smaller local difficulties, such as the level of air pollution at the time the painting was created. 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This timely and revelatory book highlights the many ways in which artists critically engage with notions of blackness, contributing to the critical discourse on topics such as Pan-Africanism, the Civil Rights Movement, African Liberation and Independence movements, the Anti-Apartheid and Black Consciousness mobilizations, Decoloniality, and Black Lives Matter.\u003c\/p\u003e\n\u003cp\u003eWith a primary focus on figurative painting, \u003cem\u003eWhen We See Us\u003c\/em\u003e explores how Black artists have imagined, positioned, memorialized, and asserted African and African diasporic experiences from the early 20th century to the present day. Featuring more than 200 works of art―and contributions from well-known writers such as Ken Bugul, Maaza Mengiste, Robin Coste Lewis, and Bill Kouelany―\u003cem\u003eWhen We See Us\u003c\/em\u003e is a major contribution to our understanding of Black art that will appeal to anyone interested in modern and contemporary figurative art and Black cultural history.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePublisher: ‎Thames \u0026amp; Hudson (March 28, 2023)\u003c\/li\u003e\n  \u003cli\u003eLanguage: ‎English\u003c\/li\u003e\n  \u003cli\u003eHardcover: ‎336 pages\u003c\/li\u003e\n  \u003cli\u003eItem Weight: ‎4.06 pounds\u003c\/li\u003e\n  \u003cli\u003eDimensions: ‎8.6 x 1.4 x 11.4 inches\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"WW Norton","offers":[{"title":"Default Title","offer_id":45583255371943,"sku":"120339","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/5804\/files\/94ca41f7whenweseeus.jpg?v=1717713221"},{"product_id":"divine-music-in-archaic-and-classical-greek-art","title":"Divine Music in Archaic and Classical Greek Art","description":"\u003cdiv class=\"RichTextEditor__block___2Vs_D RichTextEditor__paragraph___3NTf9\" data-block=\"true\" data-editor=\"67l5c\" data-offset-key=\"3uge4-0-0\"\u003e\n\u003cdiv data-offset-key=\"3uge4-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cspan data-offset-key=\"3uge4-0-0\"\u003e\u003cspan data-text=\"true\"\u003eby \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.amazon.com\/Carolyn-Laferri%C3%A8re\/e\/B0CS6VZKZZ\/ref=dp_byline_cont_book_1\"\u003e\u003cspan data-offset-key=\"3uge4-1-0\"\u003e\u003cspan data-text=\"true\"\u003eCarolyn Laferrière, Princeton University\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"3uge4-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"3uge4-1-0\"\u003e\u003cspan data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"RichTextEditor__block___2Vs_D RichTextEditor__paragraph___3NTf9\" data-block=\"true\" data-editor=\"67l5c\" data-offset-key=\"88d07-0-0\"\u003e\n\u003cdiv data-offset-key=\"88d07-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"88d07-0-0\"\u003e\u003cspan data-text=\"true\"\u003eIn this volume, Carolyn M. Laferrière examines Athenian vase-paintings and reliefs depicting the gods most frequently shown as musicians to reconstruct how images suggest the sounds of the music the gods made. Incorporating insights from recent work in sensory studies, she considers formal analysis together with literary and archaeological evidence to explore the musical culture of Athens. \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-offset-key=\"88d07-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"88d07-0-0\"\u003e\u003cspan data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"RichTextEditor__block___2Vs_D RichTextEditor__paragraph___3NTf9\" data-block=\"true\" data-editor=\"67l5c\" data-offset-key=\"b6frc-0-0\"\u003e\n\u003cdiv data-offset-key=\"b6frc-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"b6frc-0-0\"\u003e\u003cspan data-text=\"true\"\u003eLaferrière argues that images could visually suggest the sounds of the gods' music. This representational strategy, whereby sight and sound are blurred, conveys the 'unhearable' nature of their music: because it cannot be physically heard, it falls to the human imagination to provide its sounds and awaken viewers' multisensory engagement with the images. Moreover, when situated within their likely original contexts, the objects establish a network of interaction between the viewer, the visualized music, and the landscape, all of which determined how divine music was depicted, perceived, and reciprocated. Laferrière demonstrates that participation in the gods' musical performances offered worshippers a multisensory experience of divine presence.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-offset-key=\"b6frc-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"b6frc-0-0\"\u003e\u003cspan data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"RichTextEditor__block___2Vs_D RichTextEditor__paragraph___3NTf9\" data-block=\"true\" data-editor=\"67l5c\" data-offset-key=\"eu6th-0-0\"\u003e\n\u003cdiv data-offset-key=\"eu6th-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cspan data-offset-key=\"eu6th-0-0\"\u003e\u003cspan data-text=\"true\"\u003eCarolyn M. Laferrière is Assistant Curator of Ancient Mediterranean Art at Princeton University Art Museum and Associate Editor for the journal \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"eu6th-0-1\"\u003e\u003cspan data-text=\"true\"\u003eGreek and Roman Musical Studies\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"eu6th-0-2\"\u003e\u003cspan data-text=\"true\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul class=\"public-DraftStyleDefault-ul\" data-offset-key=\"6do2k-0-0\"\u003e\n\u003cli class=\"RichTextEditor__block___2Vs_D public-DraftStyleDefault-unorderedListItem public-DraftStyleDefault-reset public-DraftStyleDefault-depth0 public-DraftStyleDefault-listLTR\" data-block=\"true\" data-editor=\"67l5c\" data-offset-key=\"6do2k-0-0\"\u003e\n\u003cdiv data-offset-key=\"6do2k-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"6do2k-0-0\"\u003e\u003cspan data-text=\"true\"\u003ePublication date: May 2, 2024\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli class=\"RichTextEditor__block___2Vs_D public-DraftStyleDefault-unorderedListItem public-DraftStyleDefault-depth0 public-DraftStyleDefault-listLTR\" data-block=\"true\" data-editor=\"67l5c\" data-offset-key=\"6it85-0-0\"\u003e\n\u003cdiv data-offset-key=\"6it85-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"6it85-0-0\"\u003e\u003cspan data-text=\"true\"\u003e302 pages\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":45966234124455,"sku":"120512","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/5804\/files\/DivineMusic.png?v=1724611606"},{"product_id":"architectural-pottery-ceramics-for-a-modern-landscape","title":"Architectural Pottery: Ceramics for a Modern Landscape","description":"\u003cp\u003eArchitectural Pottery’s strikingly minimalist designs heralded new domestic housewares that could uniquely accent the modern home - inside and out. 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Over three decades, Architectural Pottery also developed innovations in stoneware production, expanded into fiberglass furniture, and included famed furniture designer Paul McCobb and sculptor David Cressey on its roster of designers.\u003c\/p\u003e\n\u003cp\u003eA midcentury modern design enthusiast’s dream, \u003cem\u003eArchitectural Pottery: Ceramics for a Modern Landscape\u003c\/em\u003eis the first full history of this celebrated and influential brand. 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